Name:- Kubavat
Kishan B.
Semester
:- 2
Roll
no :- 11
Enrolment No :- Pg14101021
Year
:- 2014-15
Paper
No :- 8- C
Paper
Name :- The Cultural Studies
Topic
:- Write a note on Theories used in
Cultural Studies
(1)
Feminisms and Post-feminisms
(2)
Queer Theory
Email
ID :- kishan.kubavat@gmail.com
Submitted
to :- Department of English
Maharaja Krishnakumarsinhji
Bhavnagar University
(1)
Feminisms and Post-feminisms
Introduction
Feminism in Cultural Studies Focuses on the ways in which
the woman and her body is represented as a commodity, an adjunct to the man in
a society whose cultural, economic, and political contexts enforce this unequal
division, and where gender is socially constructed and imposed. In Cultural
Studies, feminist theory examines the gendered use of media, and rhetoric to
reinforce patriarchy. In general practice- which is Cultural Studies larger
goal of ‘praxis’- feminism seeks empowerment for the woman over the modes of representation
advertisements or in medicine, changes in the role of technology, religion,
politics and economics control the women’s lives even as it theorizes about
media, culture, medicine, the law and the general forms of cultural control
exerted by men over women.
Feminism
can be defined as a Political, cultural, pedagogic, and theoretical response to the patriarchal
structure of power that seek to subordinate women’s lives interests, bodies and
sexualities..
It
argues that these structures create and enforce all relationship between men
and women. The women’s movement became a major political force in Europe
and America in the 1960 and 1970.
The movement took various issues for the gender- debate- science- politics-economics- culture- epistemology. In the literary arts the feminist critics exposed the patriarchal ideology that informed the construction of the ‘English Literature’ canon in the first place, and which made male- centred writing possible. During 1970 ‘Feminist Theory’ emerged with works such as Kate Millett’s sexual politics, Shulamith Firestone’s ‘The Dialectic of sex and others’ with the 1980 and 1990, we have a post-feminist phase that also addresses questions of technology.
Feminism
looks at all the representational strategies in popular and other cultural
forms, drawing attention construction of women within these representations and
acquiring a political platform form which such an agenda can be articulated and
justice fought for.
Literary
and cultural texts operate on the lines of power struggle; that between men and
women. The ‘text’ (meaning, cinema, poetry, theatre, advertisement) naturalizes
the oppression of women through its stereotypical representation of women as
weak/ vulnerable, seductress, obstacle sexual object of the male’s desire a
procreating device and so on. That is such ‘texts’ reproduce patriarchal social
biases that see the woman as only the ‘other’ of the male. Religion, Social
conditions and cultural traditions perceive the woman as an adjunct to the male.
This means that the woman’s identity is never separate but is subsumed under
that of the male.
Sexuality
becomes a tool through which stereotyping of the female as prostitutes,
virgins, unchaste woman achieves patriarchal domination. The woman is typecast
as ‘Mother nature’, thus reducing her to the role of the perpetual ‘giver’.
Religious doctrines aid these representations. Language makes it appear
permanent and ‘natural’ through the use of patriarchal terms like Mother Earth
and Mother nature.
Sex,
argue feminists, is biological while gender is socially constructed. There is
no necessary link between gender and biological sex. Masculinity and femininity
are essentially coercive categories that ensure that men and women behave in
certain ways. The socialization of woman renders her a woman with certain
apparently ‘inherent’ qualities-weakness, feeble mindedness, patience and so
on. Notions of morality or sensibility are used by males to argue that women
need to be confined to the home (being weak), protected (being vulnerable),and
controlled (being native, unpredictable and unstable). Feminists suggest that
inequality of sexes does not have a biological basis or origin, it originates
in the cultural constructions of gender difference. Gendering is a practice of
power, where masculinity is always associated with authority. Further
authoritarian discourse such as those of law or science are based on certain
assumptions and binary thinking about woman, sexuality and ‘welfare’.
It terms of language and epistemology the feminists seek to formulate either a gender natural language which will reject patriarchal terms like history and mankind, or a specifically female language which will help create an alternative system of knowledge itself one based on female subjectivity, identity and experience. This is what Elaine Showalter termed ‘gynocriticism’.
Capitalism
produced a massive spilt between the public and private spheres. The family
become the ‘retreat’ away from the women, within the family, ‘work’, and
‘life’, had collapsed into one other. Housewives had the responsibility of
maintaining the emotional and psychological realm of personal relations and
preserving the morality and tradition of the family.
Luce Irigaray
argues against the ‘logic of sameness’. Irigaray shows how Freud’s theory of sexuality is
basically premised on one sex-the male. There is the male and there is the
absence which is the female. The male is the paradigm of all sexuality physical
changes.
Irigaray suggests
a specifically feminine writing practice. Her own writing is unique with puns,
word plays, syntactic experiments and new arrangements. Reading and writing
then must favour the images and metaphors
of fluidity, dynamism, polysemy and plurality rather than those of unity, monologism, stability and fixity.
Post-feminism seeks multiplicities and varieties rather than singular and unified subject positions contemporary feminism moves away from the Eurocentric and heterosexual biases of early feminism and develops into Black feminism, ‘Third World’ or postcolonial feminism, and lesbian feminism. A good example would be from feminist science studies. Sandra Harding’s Is Science Multicultural? (1998) looks specifically at the women whose lives are affected by technologies but who have no role in the knowledge-processes that create these technologies. Standpoint epistemology identifies the Eurocentric and male centric elements in the conceptual frameworks used to analysis scientific and technological change. Thus, tribal and local knowledge must be incorporated into development projects and programs.
Cyberfeminism ; This is the age of heavily media- driven, technologized and
globalized network society. Feminist studies of the relationship of gender and
technological artefects , and technology looked at technological practies
systems of knowledge, institutions and compentencies.
Cyberfeminists see cyber culture as a revolutionary social experiment with the potential to create new identities relationships and culture. Cyberfeminisms seek ways to link feminism with contemporary feminist projects and networks both on and off the net. The work of the cyberfeminists group, the UNS Matrix aims to employ specifically and graphically female arts for the construction of libidinal pleasure in a feminized and postfeminist erotics of technocultural production. It appropriates paternal organs, spermatic metaphors and metaphors of viral infection as well as those reference on female ganitals and bodily processes.
Thus, Feminism argues that gender inequalities in society are ‘naturalized’
through systems of representation in media and culture, where the woman is
always a secondary figure an object. Cultural artifacts are therefore modes of
social control and must be examined for their gender prejudice. It suggests more just system where women discover means
of writing their true selves, representing themselves and bodies. It proposes
using resources as diverse as local spiritual beliefs, the ballot and
cybertechnology for thy empowerment of women.
Queer Theory